Jobs


Revolver is a premier independent distributor of motion pictures, home entertainment and video-on-demand content.

Recent award winning releases include Kidulthood, Grizzly Man, Tell No One, The Wackness and Mum & Dad. Our forthcoming theatrical slate includes Sin Nombre, The Girlfriend Experience and Ong-Bak: The Beginning, Dead Man Running. Continued growth means we are now looking for ambitious young guns to join our brilliant team in the following roles at our West Hollywood offices.

We are currently looking to fill two positions with exceptionally talented people in our West Hollywood office. Please see job descriptions below.  Interested applicants please email usa@revolvergroup.com.

Revolver Entertainment is seeking an innovative, enthusiastic Marketing Executive to oversee their theatrical and home entertainment marketing.

Ideal candidates are extremely creative and have a great deal of energy and passion for the job. Candidates must be comfortable working under pressure and will enjoy a great deal of creative freedom in the role. They will also thrive in a fast paced, often high pressure and exciting environment, where no single day is the same. BA degree required.

The position includes the follow key responsibilities and skills:

  • Exceptional organizational skills, ability to manage workload, and multi-task
  • A proactive attitude towards making improvements in organizational systems
  • The ability to conceptualize and execute creative above and below-the-line trade and consumer marketing campaigns
  • Budget management
  • Ability to produce advertising creative across TV, Radio, Print, and Online
  • Exceptional proofing and copy writing skills
  • PR strategy and idea generation (including innovative PR stunts)
  • The ability to plan, timetable and execute Home Entertainment department administrational processes
  • Promotional partnership acquisition and management
  • Ability to manage marketing interns on a day to day basis
  • Ability to develop and manage relationships with media, key agencies, suppliers and customers
  • Company website content management
  • Direct marketing experience.

 

Revolver Entertainment seeks an enthusiastic candidate to join its PR team in home and theatrical distribution.

Ideal candidates are creative and have a great deal of energy and passion for the job. Candidates must be comfortable multi-tasking and developing PR campaigns and events for film releases.  The position requires creativity and excellent writing skills, as well as the ability to provide vital administrative support.   Bachelor’s degree, some work experience, and contacts required. 

The position includes the follow key responsibilities and skills:

  • Ability to write and design a Film Press release/pack 
  • Have their own industry contacts/maintain current contacts database updates 
  • Creative input in meetings and for film campaigns 
  • Write releases and liaise with press 
  • Work closely with Head of Marketing on campaigns, planning, and budget management
  • Research, which will include among others, possible ideas for PR stunts, film cast and crew backgrounds, etc. 
  • Ability to delegate and manage projects
  • Media/Publication library maintenance  

 

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Film Business Reading
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The Big Picture: Money and Power in Hollywood
Edward Jay Epstein

Synopsis

In The Big Picture, acclaimed writer Edward Jay Epstein gives an unprecedented, sweeping, and thoroughly entertaining account of the real magic behind moviemaking: how the studios make their money. Epstein shows how, in Hollywood, the only art that matters is the art of the deal: major films turn huge profits, not from the movies themselves but through myriad other enterprises, such as video-game spin-offs, fast-food tie-ins, soundtracks, and even theme-park rides.

But money is only part of the Hollywood story; the social and political milieus–power, prestige, and status–tell the rest. Alongside remarkable financial revelations, The Big Picture is filled with eye-opening true Hollywood insider stories. We learn how the promise of free cowboy boots for a producer delayed a major movie’s shooting schedule; why stars never perform their own stunts, despite what the supermarket tabloids claim; how movies intentionally shape political sensibilities, both in America and abroad; and why fifteen-year-olds dictate the kind of low-grade fare that has flooded screens across the country.

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One Hundred Films and a Funeral: The Life and Death of Polygram Films
Michael Kuhn

Synopsis

Many Europeans have dreamed of a film studio able to challenge Hollywood on its own ground. Only one post-war company has come close - PolyGram Filmed Entertainment.

This title is an account of the life and death of PolyGram Films seen through the eyes of its British President, Michael Kuhn. He describes the beginnings of the company, in London and LA, in the heyday of the 80s and its subsequent meteoric growth throughout the next decade. Combining critical acclaim and popular success with such films as "Wild at Heart", "Four Weddings and a Funeral", "Fargo" and "Notting Hill", PolyGram Films garnered ten Oscars from 1991 until 1998, when its potential was unexpectedly and unaccountably destroyed.

This is not only a story of deals won and lost in a ruthless world peopled by titans, sharks, peacocks and all the usual suspects, but a real business adventure that changed the structure of the global film industry.

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Down and Dirty Pictures

Synopsis

In the late 1980s a generation of filmmakers began to flower outside the Hollywood studio system and in the following decade, the independent film movement bloomed. Dozens of lesser-known filmmakers such as Steven Soderbergh and Quentin Tarantino began walking away with coveted prizes at Cannes and eventually the Academy Awards. Many of these directors were discovered at Robert Redford's Sundance Film Festival and then scooped up by Harvey and Bob Weinstein, whose company Miramax laid waste to the competition.

In Down and Dirty Pictures, Peter Biskind tells the incredible story of these filmmakers, the growth of Sundance into the premier showcase of independent film, and the meteoric rise of the controversial Weinstein brothers who left a trail of carnage in their wake yet created an Oscar factory that is the envy of the studios.

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Easy Riders, Raging Bulls: How the Sex-drugs-and Rock 'n' Roll Generation Changed Hollywood

Synopsis

One of the most exhilarating periods in film history began with "Easy Rider" in 1969 and ended with "Raging Bull" in 1980, with Beverly Hills shrouded under a blanket of cocaine: at least, that's how it seemed. Based on interviews with all the Hollywood players of the time, this text tells the story of creativity and excess in Hollywood, when Coppola, Bogdanovich, Scorsese, Lucas, Hopper, Altman and Spielberg were at the height of their powers. Recounted with refreshing candour, many celebrities talk frankly to the author about one another and the sex, drugs, and money that made so many of them crash and burn.

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Screenwriting
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Story: Substance, Structure, Style and the Principles of Screenwriting

Synopsis

"Story" deciphers the guiding structural principles that animate every classical and award-winning film, ranging from "Citizen Kane" through to modern acclaimed works like "The English Patient".

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Pitching Movies
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The Pitch

Synopsis

A lively, witty and confidence-inspiring guide through the pitch process, this unique book is aimed at every aspiring and practising storyteller/film-maker setting out to turn their Big Idea into a reality. Based on a series of 'how-to' lectures developed by the authors over the last decade and interwoven with interviews with many well-known filmmakers, the book's approach is twofold.

Firstly it looks at the requirements and psychology of buyers, and how successful sales techniques can be adapted to the film industry, providing a detailed analysis of the actual Pitch Process from preparation to delivery. Secondly it incorporates the experience of big name industry practitioners who relate their 'best and worst' pitch stories and advice, punctuated by a series of entertaining illustrations from the Guardian cartoonists and animators Berger and Wyse.

Film students, artists, agents, distributors, script executives, and producers will find the insights of "The Pitch" utterly invaluable and refer to it again and again each time go out to market their Big Ideas.

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